Five colour grades pulled directly from my commercial work. Drop any of them onto your footage and the look transfers. No further adjustment needed.
The exact colour grades from my reels. Five cinematic film LUTs plus a utility LUT for colour refinement. Delivered as .CUBE files with a practical application guide. Compatible with any camera and any editing software that supports LUTs.
Used by 450+ editors worldwide
Get the Pack - $10A timeless, general-purpose film look. Slightly faded with gentle contrast and a nostalgic tone that works reliably across all lighting conditions.
A Kodak slide film reference with warmer tones and rich colour separation. Controlled saturation. Works well in golden hour and high-contrast light.
A Fuji-inspired profile with subtle green bias and cooler balance. Clean skin tones with a distinctly analog character.
An instant-film look with heavy fading and lifted shadows. Built for low-light and moody scenes where you want presence without contrast.
A high-contrast Kodachrome reference with washed midtones and cool shadows. Performs best in bright, direct light.
Also included: A utility LUT that adds colour density and cohesion without pushing saturation. Stack it on top of any of the five grades as a finishing layer.
Feedback from other editors, alongside real commercial work graded with this pack.
LUCID Media
Head Videographer at Ludere Studio
I've been looking for a good film LUT pack for too long, it's always the ones no one knows about that are the best! These are SO good.
@lucidmedia.ukRUSH
Media Production Group
Honestly really happy with these. Got exactly the look I was going for with very little effort!
@rush.ukFive cinematic film LUTs, each developed through real brand and commercial projects. The grades don't overlap; each has a distinct character built for specific conditions and aesthetics. Plus a utility LUT for adding colour density and cohesion as a finishing layer.
A practical application guide is included, covering the import and application workflow in DaVinci Resolve, Premiere Pro, and Final Cut Pro. It also covers LOG footage handling for those shooting in a flat profile.
Everything is delivered in the industry standard .CUBE format. Compatible with any Rec.709 footage from any camera. If you shoot LOG, the guide covers that workflow separately.
I'm a creative director and colourist. These grades are lifted directly from my commercial work: the same looks I deliver to automotive brands, studios, and production companies.
Each LUT was developed for a specific project and refined through real-world use. They're consistent across cameras and flexible enough to be used as-is or as a starting point for your own grade.
If you've seen my work on Instagram, this is exactly how that footage is treated.